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Monday, November 30, 2015

Of Rats and Men: "Black Mass" vs. "The Departed"

James “Whitey” Bulger spent about 15 years on the lam as #2 on the FBI’s Most Wanted list, and yet “Black Mass,” the new Warner Bros. drama documenting his reign of terror over Irish Catholic South Boston, directed by Scott Cooper and headlined by Johnny Depp as Bulger, indicates he still eludes us. Guided by witnesses’ recorded testimonies, “Black Mass” is like an old chronological scrapbook from 1975 to the late 1980s reorganized for bureaucratic eyes.  Yet as Cooper emphasizes objectivity, Johnny Depp’s Bulger is an unnerving anomaly—a hybrid of Nosferatu, Pazuzu and Gollum DNA, a horror movie presence contaminating an Irish Catholic period canvas. That a character should be reading “The Exorcist” when Depp’s Bulgerferatu knocks on the door is less period correctness than an allusion to the character’s satanic prowess. In such a thin film, Bulger evades perspective. “Black Mass” cannot make sense of Bulger. Even when he's taken away in handcuffs, he still isn’t “there." It’s as if he needed to be a cosmeticized special effect because Cooper finds his evil unfathomable.

Read the rest at RogerEbert.com:  http://www.rogerebert.com/balder-and-dash/of-rats-and-men-black-mass-vs-the-departed

Order your copy of Off the Map: Freedom, Control, and the Future in Michael Mann's Public Enemies, published by Cascade Books, here. 

Closer to God: Magic Mike XXL


For those curious to read a little something on the film I think may be the best Hollywood song-and-dance musical since All That Jazz (if we're not counting Stop Making Sense), Gregory Jacobs' Magic Mike XXL, published by The Point Magazine. 

http://thepointmag.com/2015/criticism/closer-to-god

Order your copy of Off the Map: Freedom, Control, and the Future in Michael Mann's Public Enemies, published by Cascade Books, here.